- 正在播放：歐洲的某個地方 - HD中字
- 提醒不要輕易相信視頻中的廣告，謹防上當受騙!
- 如果無法在線播放請重新刷新頁面，或者切換線路。
- 視頻加載速度跟網(wǎng)速有關，請耐心等待幾秒鐘。
歐洲的某個地方 HD中字
1948 / 其它 / 電影
狀態(tài)：HD中字
掃一掃 手機免費觀看更方便
《歐洲的某個地方》 HD中字
歐洲的某個地方
點擊量 | 日:334 | 周:27 | 月:491 | 總:23
年份：1948地區(qū)：其它類型：劇情
導演：Radványi,Géza
主演：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
版本：1080P高清無刪減完整版
更新時間：2025-09-01
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
提示：[DVD:標準清晰版] [BD:高清無刪減版] [HD:高清完整版]，BD和HD版本不太適合網(wǎng)速過慢的手機在線觀看。
猜你喜歡
相關推薦
- 正片4.0
Wojciech Smarzowski is one of those Polish directors who’s
- 中文字幕10.0
與女友分手后，表情降落的裕太的嫂子主動提出安撫他。裕太對這突如其來的提議略感躊躇，但隨即被她飽滿的胸部所吸引，不由自
- 中文字幕8.0
在賜顧幫襯生病的公公時，婆婆應他哀告，幫他射精，由于他被婆婆飽滿的乳房挑起了性欲。但是，從那天起，他的要求愈來愈露骨
- 中文字幕1.0
一個女大年夜學生以一個吻開端。一個令人心醉的吻，對象是一名素未會面的漂亮男人。在藍全國，她沉醉在這個吻中，興奮之情達
- 中文字幕3.0
不管我做甚么，都杯水車薪。有人說人人生而劃一，但我實在不相信。每當我看到他人幸福，我就怒火中燒，沒法忍耐。隔壁那對新
- 中文字幕4.0
父母去泡溫泉度假，直也獨自留在家中，母親的伴侶詩乃前來照看他。開初對詩乃是母親的伴侶這件事實在不在乎，但直也很快就被
- 中文字幕10.0
我在叔叔家碰到了好久沒見的表妹。她那時沒穿衣服，在屋里走來走去，我實在不忍心看到她洗完澡的樣子容貌，因而就對她做了件
- HD10.0
清朝末年，曾任黑旗水軍教頭兼平易近團總鍛練的廣東佛山武師黃飛鴻（李連杰）常在寶芝林教人練武，期望借此自強救國，可是目
- HD7.0
清朝末年，曾任黑旗水軍教頭兼平易近團總鍛練的廣東佛山武師黃飛鴻（李連杰）常在寶芝林教人練武，期望借此自強救國，可是目
- 正片5.0
「此片最大年夜亮點，就是以親密關係的角度，探討豪情受創(chuàng)的陌生人，是若何藉由肉體關係打開彼此的心房?！埂逗萌R塢報導
- 正片7.0
本片改編自吉田為了采訪3年，穿著歌舞伎的黑衣進入后臺的經(jīng)驗而寫出的長篇小說，出世于任俠一門、投身于歌舞伎世界、將芳華
- HD中字5.0
正處于疾苦與歡愉之間的女傳授，對圍棋俱樂部王牌選手的俄然退出感應不測。指導傳授想盡一切編制說服她保存王牌，而王牌則向
- HD中字5.0
半年前，翼被調(diào)到關西分公司……她是一名具有G罩杯身材、斑斕、都雅、時尚的女上司。有一天，翼為了滿足本身的性欲，在與泛
- HD中字3.0
他的老婆美雪 (Miyuki) 外出度假時，他的嫂子來看望她。弘史請她和他一路住一晚，但當他正在洗澡時，他的嫂子進來
- 中文字幕5.0
出身本地名門望族的孝一和單身母親繪美掉落臂否決，結(jié)為夫妻。他們奧秘搬到東京，開端了婚后生活。當丈夫的兩小無猜拓真來訪
- 中文字幕7.0
綾噴鼻和丈夫好久沒有性生活了，一天，丈夫的部屬松本來造訪她。與丈夫的冷酷分歧，松本總是面帶笑臉地迎接她。綾噴鼻漸漸被
- 中文字幕4.0
繼母去喚醒圭介時，發(fā)現(xiàn)他睡著時勃起了。由于好久沒有和丈夫同房，她再也沒法忍耐，開端撫摩圭介。圭介開初有所抗拒，但繼母
影視評論
耶～～復制成功